Danielle Ezzo is an interdisciplinary artist and writer based in Brooklyn, NY.

Her practice often begins with photography as an entry point and leans into new approaches to image-making, the shortcomings of the medium, and the slippages between innovation and understanding. She blends contemporary technological artifacts with the handmade, historical, and the personal. Ezzo possesses a particular affinity for exploring archives and data sets, using them as a vehicle to reflect on emergent cultural themes.

Her work has been published in the Boston Globe, The New York Times, The Tate, Lenscratch, Fisheye Magazine, and Feature Shoot and exhibited in numerous exhibitions and festivals including the A.C. Institute, The Santa Barbara Museum of Art, The Far Eastern Museum of Art, and Currents New Media Festival. Her work is in the collections of The Watson Library at The Metropolitan Museum of Art, Decker Library at Maryland Institute College of Art, Olin Library at Cornell University among others. She’s lectured at conferences, companies, and schools about the future of photography. Bylines include The New Inquiry, Magnum Photos, Art Observed, Right Click Save, Fellowship Trust, and Obscura Journal. She is the author of If Not Here, The Where? published by Silent Face Projects in 2023.

Danielle graduated from Lesley University College of Art & Design in Boston in 2015 with an MFA in Photography and Integrated Media.

Complete CV.